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Romantic Comedy

Star-crossed lovers must overcome pride, feuding families, societal classes and conventions, prior marriages or engagements, racial prejudice, cultural barriers, physical and mental illness, temporal and physical distance, wars, revolutions, and even death itself. Montague and Capulet supporters alike would agree that some of the most beautiful film music has been inspired by the very powerful force that is romantic love.

“I didn’t want to be born. You didn’t want me to be born. It’s been a calamity on both sides.” (Now, Voyager, 1942)

Charlotte Vale (Bette Davis) defies her overbearing mother and goes on to discover love, heartbreak and eventual fulfillment. The fantastic and genial Max Steiner, the father of film composers, created one of his most lavishing masterpieces for this romantic psychological drama.

“I love you. I’ve loved you since the first moment I saw you. I guess maybe I’ve even loved you before I saw you.” (A Place In The Sun, 1951)

One of the best love stories ever-rendered into glorious black and white film. Young, ambitious George Eastman (who is now in love with rich, gorgeous, and sophisticated society girl Angela Vickers) sees his promising future; dreams and fantasies crash due to the unexpected pregnancy of his former flame factory worker Alice Tripp. Some decisions have tragic consequences. Franz Waxman composed an exquisitely romantic score with sinister undertones, the perfect match for this tragic love story.

“You call yourself a free spirit, a wild thing, and you’re terrified somebody’s going to stick you in a cage. Well, baby, you’re already in that cage. You built it yourself… It’s wherever you go. Because no matter where you run, you just end up running into yourself.” (Breakfast at Tiffany’s, 1961)

I love Audrey Hepburn’s soothing voice singing the breathtaking song “Moon River”.  It is hard to contain your emotions in the presence of a melody of such grace and beauty. Let the uplifting and transcendent score of the dream maker and heartbreaker Henry Mancini flow through us and inspire our spirits. Like a vessel adrift in a powerful musical river, “wherever you’re going I’m going your way.“

“I know everything I need to know about you. I love you. I know you’re good, and kind. I know you’re colored and I… And I think you’re beautiful!” (A Patch of Blue, 1965)

By judging one another based on the content of their characters, and placing the needs of the other before their own, selfless love transcends racism and prejudice in this touching, bittersweet, and heartbreaking inter-racial romance in the 1960s. It tells the love story of an uneducated abused blind white girl, and a kind well-educated black businessman.  Jerry Goldsmith beaded a gorgeous musical necklace for this wonderful and heart warming film.

“I shouldn’t admire it now. I should find it absurdly personal. Don’t you agree? Feelings, insights, affections … it’s suddenly trivial now. You don’t agree; you’re wrong. The personal life is dead in Russia. History has killed it.” (Doctor Zhivago, 1965)

Maurice Jarre crafted exquisite musical poetry that mends our souls. Verses of love and passion will always find admirers despite the poisonous doctrines and the incredible hardships imposed by oppressive regimes. The human spirit continues to endure and triumph, while the Bolshevik Revolution shrinks to a dark footnote in history.

“Winning that ticket, Rose, was the best thing that ever happened to me… it brought me to you. And I’m thankful for that, Rose. I’m thankful. You must do me this honor. You must promise me that you’ll survive, that you won’t give up, no matter what happens, no matter how hopeless. Promise me now, Rose, and never let go of that promise.” (Titanic, 1997)

James Horner glorious score is without doubt his crowning achievement. Celine Dion’s performance of “My Heart Goes On” still gives me goose bumps. The brief but enduring romance between a poor artist boy and a rich aristocrat girl aboard the luxurious, ill-fated R.M.S. Titanic is certainly an inspirational story. James Cameron was truly “the king of the world” in 1997.

Love Titanic

Notable Romantic Film Tunes

City Lights (1931) – Charles Chaplin (previously featured in Comedy Tunes)

The Gay Divorcee (1934) – Max Steiner

Anthony Adverse (1936) – Erich Wolfgang Korngold

The Adventures of Robin Hood (1938) – Erich Wolfgang Korngold

Gone with the Wind (1939) – Max Steiner (previously featured in Epic Film Tunes)

Wuthering Heights (1939) – Alfred Newman

Dark Victory (1939) – Max Steiner

The Philadelphia Story (1940) – Franz Waxman

Now, Voyager (1942) – Max Steiner

Casablanca (1942) – Max Steiner

Kings Row (1942) – Erich Wolfgang Korngold

Jane Eyre (1944) – Bernard Herrmann

Beauty and the Beast (1946) – Georges Auric

Forever Amber (1947) – David Raksin

The Adventures of Don Juan (1948) – Max Steiner

A Place in the Sun (1951) – Franz Waxman

The Bad and the Beautiful (1952) – David Raksin

Moulin Rouge (1952) – Georges Auric, William Engvick

Roman Holiday (1953) – Georges Auric

Sabrina (1954) – Frederick Hollander

Summertime (1955) – Alessandro Cicognini

East of Eden (1955) – Leonard Rosenman

Picnic (1955) – George Duning

Love Is A Many-Splendored Thing (1955) – Alfred Newman

Peyton Place (1957) – Franz Waxman

An Affair To Remember (1957) – Hugo Friedhofer

A Summer Place (1959) – Max Steiner

The Apartment (1960) – Adolph Deutsch, “Theme from The Apartment” (originally “Jealous Lover”, 1949) by British composer Charles Williams

Summer and Smoke (1961) – Elmer Bernstein

Splendor in the Grass (1961) – David Amram

Breakfast at Tiffany’s (1961) – Henry Mancini

Walk On The Wild Side (1962) – Elmer Bernstein

Charade (1963) – Henry Mancini

Cleopatra (1963)- Alex North

Doctor Zhivago (1965) – Maurice Jarre

A Patch of Blue (1965) – Jerry Goldsmith

Far From The Madding Crowd (1967) – Richard Rodney Bennett

Romeo and Juliet (1968) – Nino Rota

Love Story (1970) – Francis Lai

Wuthering Heights (1970) – Michel Legrand

Summer of 42′ (1971) – Michel Legrand

The Way We Were (1973) – Marvin Hamlisch

Somewhere In Time (1980) – John Barry

Romancing the Stone (1984) – Alan Silvestri

A Room with a View (1985) – Richard Robbins

Out of Africa (1985) – John Barry (previously featured in Epic Film Tunes)

St. Elmo’s Fire (1985) – David Foster

Dangerous Liaisons (1988) – George Fenton

Ghost (1990) “Unchained Melody” (originally from the film Unchained, 1955) by Alex North)

Howards End (1992) – Richard Robbins

Remains of the Day (1993) – Richard Robbins

The Piano (1993) – Michael Nyman

Much Ado About Nothing (1993) – Patrick Doyle

Age of Innocence (1993) – Elmer Bernstein

Forrest Gump (1994) – Alan Silvestri

Il Postino (1994) – Luis Enríquez Bacalov

The American President (1995) – Marc Shaiman

Sense And Sensibility (1995) – Patrick Doyle

The English Patient (1996) – Gabriel Yared

Emma (1996) – Rachel Portman

Titanic (1997)- James Horner

As Good as it Gets (1997) – Hans Zimmer

Life is Beautiful (1998)- Nicola Piovani

Shakespeare in Love (1998) – Stephen Warbeck

The Red Violin (1999) – John Corigliano

The Cider House Rules (1999) – Rachel Portman

Chocolat (2000) – Rachel Portman

Amelie (2001) – Yann Tiersen

Pearl Harbor (2001) – Hans Zimmer

Girl With A Pearl Earring (2003) – Alexandre Desplat

Pride & Prejudice (2005) – Dario Marianelli

Jane Eyre (2011) – Dario Marianelli

The Artist (2011) – Ludovic Bource (previously feature in Comedy Tunes)

Anna Karenina (2012) – Dario Marianelli

Romeo and Juliet (2013) – Abel Korzeniowski

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Slapsticks, parodies, spoofs, screwballs and romantic comedy films have been brightening up our lives with laughter, humor and amusement for generations.

 

“Yes, I can see now”

In my opinion, City Lights (1931) stands at the pinnacle of both silent and romantic comedy film. The music takes us through a wide range of emotional responses as the Tramp falls in love with a blind flower girl, and develops a friendship with a millionaire. Charlie Chaplin composed a true symphony of laughs, tears, and love. Holding my hand to my heart, I rejoice with hope as I witness the triumph of the human spirit over poverty, infirmity, sorrow, and despair.

 

“I, Lord Kelvin, hereby vow to surrender my position as minister of science to Phileas Fogg if he can circumnavigate the globe… in no more than 80 days” (Around The World In 80 Days, 1956)

The unforgettable score for this adventure comedy film allow us to musically circumnavigate the globe, sampling vibrant exotic tunes as English gentleman Phileas Fogg (David Niven) and his valet Passepartout (my beloved comedian Cantinflas) progress in their 80 days journey. Victor Young was a master of melody and one of the finest film composers of his generation. Prepare to be captivated as you embark in this acoustic voyage. Like leaving Paris in a hot air balloon, it is truly an unforgettable emotional tour de force.

 

“It’s buried under a big W, I tell you. A big W” (It’s a Mad Mad Mad Mad World, 1963)

The W stands for Wonderful. The sunny, sweet and pleasant music score by Ernest Gold sets the mood for the incredible adventures of Spencer Tracy and a very talented cast. They will endure about three hours of furiously paced tribulations, as they drive, fly, drill, dynamite, and double-cross their way to $350,000 in stolen cash. This epic comedy film and its irresistible score will stay with you forever.

 

“If you look deep into the stone, you will perceive the tiniest discoloration. It resembles an animal” (The Pink Panther, 1963)

The Pink Panther is a fictional diamond with a distinctive flaw, which resembles a leaping panther. The great Henry Mancini composed a mysterious, highly sophisticated, and utterly original theme for the Blake Edwards’ comedy masterpiece.  This beautiful, seductive, and jazzy instrumental diamond has no flaw.

 

“No, it’s pronounced Fronkensteen” (Young Frankenstein, 1974)

We may never know why the horses rear up and neigh madly in fright every time they hear the name of Fra Blucher, but we all know this Mel Brooks’ film is one of the funniest movies of all time. The black-and-white comedy features a descendant of the infamous mad scientist Dr. Frankenstein (Gene Wilder), and his re-animated creature (Peter Boyle). They dance with top hats and tails to the song “Puttin’ on the Ritz” (originally written by Irving Berlin in 1929), which parodies Fred Astaire’s Blue Skies (1946) version. The film also features a beautiful violin score “Transylvanian Lullaby” by Brooks’ longtime composer John Morris.

 

“There’s no reason to be alarmed and we hope you enjoy the rest of your flight. By the way, is there anyone on board who knows how to fly a plane?“

Airplane! (1980) is a genial spoof of airport and other disaster movies. Elmer Bernstein took his job of scoring this ridiculous parody seriously. I love the segments when he makes fun of John Williams’ Jaws. The music film auteur also wrote very well crafted compositions for the comedies Trading Places (1983), and Ghostbusters (1984).

 

Let’s close as we started with a silent romantic comedy film score, the amazing music written by Ludovic Bource for The Artist (2011). It is lighthearted, uplifting, and very emotionally touching. “I love people who make me laugh. I honestly think it’s the thing I like most, to laugh.” (Audrey Hepburn)

 

Comedy Chaplin

Notable Comedy Tunes

 

City Lights (1931) – Charles Chaplin

Modern Times (1936) – Charles Chaplin

The Three Stooges short subjects (1939 through 1959) – jazzy “Three Blind Mice”

The Philadelphia Story (1940) – Franz Waxman

The Ladykillers (1955) – Tristram Cary

Around the World in Eighty Days (1956) – Victor Young

Some Like It Hot (1959) – Adolph Deutsch

The Apartment (1960) – “Theme from The Apartment” , originally “Jealous Lover” (1949) by Charles Williams)

Breakfast at Tiffany’s (1961) – Henry Mancini

The Pink Panther (1963) – Henry Mancini

Charade (1963) – Henry Mancini

It’s a Mad Mad Mad Mad World (1963) – Ernest Gold

Casino Royale (1967) – Burt Bacharach

The Producers (1968) – John Morris

Butch Cassidy & the Sundance Kid (1969) – Burt Bacharach

Reivers (1969) – John Williams

MASH (1970) – Johnny Mandel

Les Aventures de Rabbi Jacob (1973) – Vladimir Cosma

The Sting (1973) – “The Entertainer”, “Solace” (Written by Scott Joplin/Conducted and Adapted by Marvin Hamlisch)

Young Frankenstein (1974) – John Morris

Blazing Saddles (1974) – John Morris

1941 (1979) – “The March From 1941” (John Williams)

Airplane! (1980) – Elmer Bernstein

Tootsie (1982) – Dave Grusin

Trading Places (1983) – Elmer Bernstein

Ghostbusters (1984) – Elmer Bernstein

Beverly Hills Cop (1984) – “Axel F” by Harold Faltermeyer

Romancing the Stone (1984) – Alan Silvestri

Back to the Future (1985) – Alan Silvestri

Pee-wee’s Big Adventure (1985) – Danny Elfman

Princess Bride (1987) – Mark Knopler

Spaceballs (1987) – John Morris

Beetlejuice (1988) – Danny Elfman

Scrooged (1988) – Danny Elfman

Big (1988) – Howard Shore

The Burbs (1989) – Jerry Goldsmith

City Slickers (1991) – Marc Shaiman

Mrs. Doubtfire (1993) – Howard Shore

Much Ado About Nothing (1993) – Patrick Doyle

Groundhog Day (1993) – George Fenton

Ed Wood (1994) – Howard Shore

Il Postino (1994) – Luis Bacalov

Emma (1996) – Rachel Portman

Life is Beautiful (1997) – Nicola Piovani

Austin Powers (1997) – “Soul Bossa Nova” (1962) by Quincy Jones

As Good As It Gets (1997) – Hans Zimmer

Chocolat (2000) – Rachel Portman

Amélie (2001) – Yann Tiersen

Sideways (2004) – Rolfe Kent

The Artist (2011) – Ludovic Bource